The post Tangents panels appeared first on RUPERT WHALE.
]]>Tangents #2 acrylic, wood panel 25 x 25 x 2 cm
Tangents #3 acrylic, wood panel 20 x 20 x 2 cm
Tangents #4 acrylic, wood panel 25 x 25 x 2 cm
Tangents #5 acrylic, wood panel 30 x 30 x 2 cm
Tangents #6 acrylic, wood panel 30 x 30 x 2 cm
Tangents #7 acrylic, wood panel 30 x 30 x 2 cm
Tangents #8 acrylic, wood panel 30 x 30 x 2 cm
Tangents #9 acrylic, wood panel 30 x 30 x 2 cm
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]]>The post Edge appeared first on RUPERT WHALE.
]]>Edge #3 acrylic on mdf panel 64 x 51 x 0.4 cm
Edge #2 acrylic on mdf panel 50 x 65 x 4 cm
Edge #1 acrylic on canvas 84 x 60 x 2 cm
The post Edge appeared first on RUPERT WHALE.
]]>The post Glimpsers appeared first on RUPERT WHALE.
]]>Glimpser #2 acrylic on mdf 90x59x0.4 cm
Glimpser #3 acrylic on mdf 83x59x0.4 cm
Glimpser #4 acrylic on mdf 83x59x0.4 cm
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]]>The post Portal series appeared first on RUPERT WHALE.
]]>The panels’ shape arose from a previous artwork, a commission from Campari, CodexCampari, designed to emulate an App icon in 3d. The corners are rounded and the surface appears cushioned and smooth, inviting the viewer to touch but at the same time, as an art object, forbids them to do so. They also reference Russian icons and Malevich’s Black Square.
Portal #1 to #6 to be viewed separately or in groupings: acrylic paint and spray, gesso, mdf, 25 x 25 x 3cm.
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]]>The post Polarise OXXO XOOX appeared first on RUPERT WHALE.
]]>The shape of the the panels, derived from a previous commission from Campari, CodexCampari, was designed to emulate an App icon in 3d. The corners are rounded and the surface appears cushioned and smooth, inviting the viewer to touch but at the same time, as an art object, tantalisingly forbids them to do so. It also references traditional Russian icons and Malevich’s Black Square.
Polarise OXXO XOOX4 mdf panels, gesso, acrylic paint spray 51 x 51 x 3 cm.
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]]>The post CodexCampari appeared first on RUPERT WHALE.
]]>The twenty panels, each 25 x 25 x 2 cm, were machine-cut from mdf, then covered with many layers of gesso, sanded and painted in acrylic.
The vertical format was designed to be reminiscent of a smartphone App icon, the panels as keys to virtual and even actual realms. The corners are rounded and the surface appearing cushioned and smooth, invites the viewer to touch but at the same time, as an art object, tantalisingly forbids them to do so. They also reference Russian icons and Malevich’s Black Square.
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